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A bold and eye-opening exposé on how power and propaganda distort the news, now more relevant than ever • With an updated introduction “[A] compelling indictment of the news media’s role in covering up errors and deceptions in American foreign policy.”—The New York Times Book Review Renowned scholars Edward S. Herman and Noam Chomsky reveal how U.S. news media, far from being independent watchdogs, often function as tools of elite influence. With probing analysis, they present their Propaganda Model, a framework that explains how systemic bias shapes the stories we’re told, the voices we hear, and the truths that remain hidden. Through deeply researched case studies, from the Vietnam War to coverage of “worthy” vs. “unworthy” victims, Manufacturing Consent exposes the structural forces that drive news organizations to reinforce power rather than question it. It’s a sobering portrait of a media system more interested in maintaining order than informing the public. This edition includes an introduction updating key examples and expanding the Propaganda Model’s relevance to issues like the coverage of NAFTA, the media’s treatment of global protests, and environmental regulation. Manufacturing Consent is a powerful assessment of how propagandistic the U.S. mass media are, how they systematically fail to live up to their self-image as providers of the kind of information that people need to make sense of the world, and how we can understand their function in a radically new way. Whether you’re a student, activist, or citizen looking to see beyond the headlines, this book will transform how you understand the media—and the world around you. Source: Publisher

ISBN-13: 9780307801623

ISBN-10: 0307801624

Language: English

Publisher: Knopf Doubleday Publishing Group

Year: 2011

Pages: 480

Cataloged: Feb. 10, 2025, 5:07 p.m.

The essays collected in this new volume reveal Isaiah Berlin at his most lucid and accessible. He was constitutionally incapable of writing with the opacity of the specialist, but these shorter, more introductory pieces provide the perfect starting-point for the reader new to his work. Those who are already familiar with his writing will also be grateful for this further addition to his collected essays. The connecting theme of these essays, as in the case of earlier volumes, is the crucial social and political role—past, present and future—of ideas, and of their progenitors. A rich variety of subject-matters is represented—from philosophy to education, from Russia to Israel, from Marxism to romanticism—so that the truth of Heine’s warning is exemplified on a broad front. It is a warning that Berlin often referred to, and provides an answer to those who ask, as from time to time they do, why intellectual history matters. Among the contributions are “My Intellectual Path,” Berlin’s last essay, a retrospective autobiographical survey of his main preoccupations; and “Jewish Slavery and Emancipation,” the classic statement of his Zionist views, long unavailable in print. His other subjects include the Enlightenment, Giambattista Vico, Vissarion Belinsky, Alexander Herzen, G.V. Plekhanov, the Russian intelligentsia, the idea of liberty, political realism, nationalism, and historicism. The book exhibits the full range of his enormously wide expertise and demonstrates the striking and enormously engaging individuality, as well as the power, of his own ideas. “Over a hundred years ago, the German poet Heine warned the French not to underestimate the power of ideas: philosophical concepts nurtured in the stillness of a professor’s study could destroy a civilization.”—Isaiah Berlin, Two Concepts of Liberty, 1958. This new edition adds a number of previously uncollected pieces, including Berlin’s earliest statement of the pluralism of values for which he is famous.

ISBN-13: None

ISBN-10: None

Language: English

Publisher: Novosti Press Agency Publishing House

Year: 1978

Pages: 101

Cataloged: Feb. 10, 2025, 5:04 p.m.

History and art connect in the study of material culture. Material culture records human intrusion in the environment. It is the way we imagine a distinction between nature and culture, and then rebuild nature to our desire, shaping, reshaping, and arranging things during life. We live in material culture, depend upon it, take it for granted, and realise through it our grandest aspirations. Thirty years ago, it seemed that material culture would become the realm within which relativistic and existential thinking would be extended to history and art, the issues of human significance and human excellence. Then the gears locked, the machine stopped, and began to run in reverse. We slid backward, rediscovering the energies of early modernism and naming our effort - in obeisance to the ideology of progress - postmodern. Humanist busied themselves with the reinvention of ideas they could have learned from the old masters of anthropology. Social scientists struggled to contrive ideas they could have learned by reading the great literature of the past. This retrograde motion was caused by more than adjustment to the conservative mood of the age. another. What has changed can change again; the moment at which I write will pass. Groping over old territory, relocating the critical purpose of scholarly endeavour, rediscovering subjectivity and situation, the diversity of orders and the interconnectedness of things, we will find points of convergence that will become the basis for a new transdisciplinary practice, at once humanistic and scientific. Renewed in oneness, we will be able to get on with our work, fashioning a view of humanity fit to the needs of the world's people. The concept of culture seems a secure achievement. In the future, history and art, as well as science and philosophy, will be understood to be, like culture, the creations of people who are alike in humanity, but different in tradition and predicament. Problematising is easy and endless. New ideas are a dime a dozen. What matters is how ideas fare in the world, what they yield in hard application. Our work will recognise the reality of the individual. traditions that unfold only within human control and among uncontrollable circumstances. It will expand through cross-cultural comparisons that bring us understanding at once of the universal and the particular. - Henry Glassie, from the Onward. Source: Publisher

ISBN-13: 9780253335746

ISBN-10: 0253335744

Language: English

Publisher: Indiana University Press

Year: 1999

Pages: 413

Cataloged: Feb. 10, 2025, 5:01 p.m.

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